Hand-hewn reclaimed timber trusses in a vaulted ceiling

Materials

Two sources.
Two different woods.

Everything we sell comes out of a building that already stood — either a Wisconsin barn we take down by hand, or an industrial structure whose bones were built to work. Which one you want depends on the look you're after.

Where It Comes From

Barn antique & industrial

Two lanes, side by side. Same company, same standards, two completely different materials — and they belong in different projects.

Source 01

Barn Antique

Hand-hewn, weathered, one barn at a time.

How a barn comes down

We take barns apart, we don't knock them over. When a farm family or a developer has a barn that's reached the end of its life, we walk it first — species, joinery, condition of the sills, what's salvageable and what's rot. Then the building comes down in the order it went up: roof, purlins, siding, then the frame itself, timber by timber, so nothing gets snapped by a machine.

Every piece gets denailed, brushed, graded, and stacked by size and surface. What we pull out is old-growth wood — oak, elm, and pine cut from virgin Wisconsin timber, tight-ringed, and air-drying inside a roof for a hundred years or more. You cannot buy that at a lumberyard, because the trees it came from are gone.

What it looks like

  • Axe facets from hand-hewing, and circular or straight mill marks
  • Silver-grey weathered faces, nail holes, and old paint remnants
  • Mortise pockets, peg holes, and joinery scars left where they are
  • Chalk numbers and layout marks from the framer who built it

Best for

Exposed trusses and ridge beams, mantels, farm tables, feature walls, and any room meant to feel like it's been standing a long while.

Source 02

Industrial

Heavy urban stock, built to be worked.

Where industrial stock comes from

The other half of what we handle never saw a farm. It comes out of factories, warehouses, mills, breweries, and grain elevators — buildings framed in Douglas fir and floored in rock maple because they had to carry machines and freight for a century without flinching.

That wood was worked hard, and it shows: bolt holes, oil patina, saw kerf, forklift scars, and a density you feel the moment you pick up a board. Because these floors were laid in thousands of square feet at a time, industrial stock also runs far more consistent than barn wood — which is what makes it the right answer for large flooring and ceiling runs where the material has to repeat.

What it looks like

  • End-grain blocks and wide-plank maple, oak, and Douglas fir
  • Darkened patina from decades of oil, dust, and traffic
  • Bolt holes, lag scars, and machine-mount cutouts
  • Long, consistent runs — sorted for uniform color and width

Best for

Commercial and urban flooring, ceiling cladding, box beam faces, restaurant and retail build-outs, and anywhere the design wants grit instead of patina.

Ready to Pick Material

Both lanes, milled to your spec

Solid beams, box beams, ceiling, flooring, exterior, and specialty orders are all on the Products page, along with our milling capabilities and surface profiles.

See the Products Read our story

Let's Talk About Your Project

Building something worth doing right?

Tell us what you're making. We'll ask the right questions about the material and put together a curated recommendation — no obligation, just straight answers from people who know the wood.